Canon RF 135mm f/1.8 L IS USM Prime Lens

CLIENT: Vimeo EVENT: Vimeo Reframe (Annual Creative Conference) ACTIVATION: 3D Bullet Time + Custom 3D Environment Integration OUR BULLET TIME RIG AT VIMEO REFRAME EVENT Overview For Vimeo’s annual Reframe creative conference, the goal was to deliver a visually striking, immersive, and shareable experience that reflected Vimeo’s creative culture. The activation needed to feel premium, interactive, and technologically innovative, while allowing attendees to walk away with dyna

The Pitt TV SHOW Shot entirely on Optimo Lenses Angenieux zooms are undoubtedly the most widely used contemporary zoom lenses in the world. They offer an unparalleled range of wide, medium, and telephoto zoom lenses covering both Super 35 and full frame formats. In recent years, they have also started to make lenses that offer the familiar Angenieux look and optical performance at a more affordable price, starting with the well-regarded Optimo Style series and culminating in

For years, filmmakers have accepted a tradeoff that felt unavoidable: cinematic image quality demanded cinematic bulk. If you wanted RED color science, serious codecs, and professional audio workflows, you prepared your back, your crew, and your budget. The Nikon ZR dismantles that assumption. This is not a “hybrid that shoots video well.” This is a purpose-built cinema camera that just happens to be mirrorless-sized, and it’s arguably the most compelling small-format cinema

One of the rarest and most desirable sets of lenses in the Scheimpflug inventory is our prized set of Technovision anamorphic primes. A special blend of Cooke Speed Panchro taking lenses, Japanese cylindrical glass and modern focusing elements and mechanics, the Technovisions embody a rich history of European continental filmmaking. Technovision was founded in the mid-70s by Polish entrepreneur Henryk Chroscicki. Chroscicki and his partners had spent years servicing the Europ